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Chapter 1 - THE VOICE INSIDE THE PIANO

Victor Romano was still holding a champagne glass when Luca Moretti turned toward him.

That was the first thing I noticed. Not the terror on Vanessa Bellini's face, or the blood that had gathered beneath my torn stocking, or the pieces of Maria Moretti's beloved piano scattered across the ballroom floor. Victor still held the glass by its stem as though the worst thing that had happened during Luca's birthday celebration was an interruption before dessert.

On the ballroom screen, Maria's face had disappeared into black. Her voice seemed to linger among the chandeliers.

The man helping her is someone you've called your brother since childhood.

Luca spoke so quietly that the nearest guests leaned forward to hear him.

"Victor. Did you know my mother made that recording?"

Victor set down his glass. "You heard an old woman make an accusation without a single name attached. I won't insult her memory by pretending that's evidence."

"I didn't ask whether it was evidence."

"Then ask a better question."

Marco, Luca's security chief, shifted toward Victor. The motion was slight, but two other guards mirrored it. I had served in that house long enough to recognize the moment when manners became a thin curtain over danger.

Vanessa rushed toward Luca. "Darling, this maid came in carrying a weapon. She's destroyed your mother's piano. She's covered in blood. Why are we questioning guests instead of calling the police?"

"Call them," Luca replied.

She stopped. "What?"

"The police. An ambulance, too." He looked at Marco. "And preserve the original recording. Nobody touches that laptop until the technicians document it."

Victor frowned. "You want police in this house? Tonight?"

"I want them to see the scene before anyone changes it." Luca's gaze traveled to the kitchen knife lying beside my knees. "Including what happened to Emma."

I tried to straighten, but my legs betrayed me. The ballroom tilted. I caught the edge of the broken piano bench before I fell. Pain climbed from my shins through my knees, bright enough to steal the room from me for an instant.

Luca was there before I could apologize.

"Don't stand," he said.

"Sir, the recording—"

"Will still be here after someone stops your bleeding."

"She'll say I did it myself."

"Then we'll document your injuries. You don't need to win an argument right now."

He took off his jacket and folded it beneath my head while Marco directed the guests away from the shattered instrument. The rich and the powerful stepped around me with expressions ranging from pity to outrage. One woman made a quiet remark about scandal. Another, whose diamonds were nearly as large as Vanessa's, asked whether the birthday cake would still be served.

I wanted to laugh. Instead, I tasted blood where I'd bitten the inside of my cheek.

"Emma," Luca said. "Stay with me. Tell me who hurt you."

"Vanessa. In the service corridor by the old conservatory. She caught me trying to get the recorder out of the piano."

Vanessa made a sharp, disbelieving noise. "That girl has been obsessed with me since she arrived. I walked into the corridor and found her holding a knife. I defended myself."

"With what?" Luca asked.

"A decorative glass vase. I dropped it. She fell into the pieces."

I closed my eyes. Her account was almost clever. If I hadn't been so frightened, I might have admired how quickly she arranged herself at the center of every innocent explanation.

"There are cameras in that corridor," I said.

"The conservatory system has been broken for months," Vanessa snapped.

Luca turned his head. "How do you know?"

Silence.

A guest near the wall lifted a phone and began recording. Marco asked him to stop interfering with the scene, then guided him away. I looked past the crowds at Victor. He was no longer examining the piano. His attention had settled on the narrow doorway through which the service staff entered. When his eyes met mine, they didn't carry surprise.

They carried recognition.

He knew that doorway. He knew where I had been.

A paramedic team entered minutes later, their equipment rattling over marble. They worked quickly, checking my breathing, examining the cuts and gently wrapping my legs before moving me to a stretcher. One asked whether I'd struck my head. Another wanted to know how long I'd been losing blood. I answered as clearly as I could.

As they lifted me, a small sound came from under the wrecked piano.

Three soft notes.

They were wrong notes, disconnected from one another, almost impossible to hear beneath the conversations. I turned my head and saw that a fallen wooden panel had pressed against the old pedal mechanism. The piano's exposed strings vibrated faintly as people moved nearby.

Then I remembered Maria, whom I had never met, and what old Mrs. Ferraro had told me before the party.

If you find it, don't trust the first voice. Maria always left a second song.

"Luca," I whispered.

He bent over me. "What is it?"

"The piano bench. Its underside. There may be something else."

Vanessa heard me. "She's delirious. Please tell the paramedics to take her away."

I gripped Luca's wrist with the hand that hadn't touched the knife. "Ask Marco to look. Not Victor."

His expression changed for the first time that evening—not into rage, but into something more painful. He understood that I was afraid of the man who had stood beside him for nearly thirty years.

He nodded once.

"Marco," he said. "Photograph the bench in place. When the investigators clear it, look beneath the seat."

Victor stepped closer. "Luca, you're letting a bleeding employee dictate your security decisions."

"No," Luca replied. "I'm making them myself."

That should have been the end of it.

Instead Victor reached into his jacket.

Marco moved at once, placing himself between Victor and the stretcher. His hand went toward his holster, though he didn't draw. The ballroom went quiet again.

Victor slowly withdrew a phone.

"Relax," he said. "My driver is waiting outside. I'm leaving before this gets any more ridiculous."

"You're a witness," Luca answered. "I'd appreciate you staying to speak with the officers."

"Am I under arrest?"

"No."

"Then don't ask me twice."

Victor walked toward the ballroom doors. Two uniformed police officers were entering through the hall; Marco spoke to them, pointed out Victor, and gave them the few facts he knew. They stopped Victor for a voluntary interview. I saw the look he threw back at Luca, a look that contained a private history I had no right to understand yet.

Vanessa approached my stretcher as the paramedics began rolling it toward the doors.

For a moment she wore a face of perfect concern.

"I'm so sorry you were hurt, Emma," she said, speaking loudly enough for those nearby to hear. "Whatever you think happened, you need rest."

Then she leaned close and whispered, "You should have taken the money."

I felt colder than I had when I first discovered the recorder.

Three nights earlier, she'd offered me twenty thousand dollars to leave the estate. No explanation. Just an envelope and a deadline. I had refused because I'd believed the house was the only place I could find out why my mother had been searching for Maria Moretti when she died.

I had never told Luca about the offer.

Now I did.

"She offered me money," I said. "Twenty thousand dollars to quit before tonight."

Vanessa straightened with a cry of outrage. "That's absurd!"

One of the officers looked up from his notebook. Luca held up a hand, not to silence me but to stop the people around us from interrupting.

"Tell them everything," he said.

The emergency department smelled of disinfectant and heated plastic. A doctor cleaned the cuts on my legs, removed several small fragments of glass, and stitched the deepest wounds. Another nurse examined the bruising across my shoulder blades where Vanessa had shoved me against the conservatory door. I was given dry clothes, pain medication, and a hospital bracelet that seemed absurdly ordinary after the ballroom.

When the nurse asked for an emergency contact, I hesitated.

My younger brother, Ben, was twenty-two and studying architecture in Albany. I could call him, but I had promised our late mother that I wouldn't make him abandon his education because my life had become complicated.

"My brother," I said finally. "But please don't frighten him."

The nurse gave me a look of gentle disbelief. "I'll say you're being treated and can speak to him. That's all."

After midnight, Luca appeared outside the treatment room with his sleeves rolled to the elbows. He had a faint smear of piano dust across his right cuff. Without the crowd behind him, he looked older than thirty-eight.

"Can I come in?" he asked.

I nodded.

"The doctor says you'll need follow-up care," he said. "They want you off your feet for a while."

"I've lost my job anyway."

"You haven't."

"I smashed your mother's piano with a kitchen knife."

"I saw that."

"It was priceless."

His eyes filled with something he wouldn't name. "Not more priceless than a person. My mother would have told me so, probably with worse language."

I looked away. For a man everyone feared, he sounded unexpectedly lost.

"I didn't know her," I said. "But I think she was brave."

"She was stubborn. Bravery was one of the ways her stubbornness expressed itself."

He sat beside my bed. Between us lay a small sealed evidence photograph he'd brought, showing the underside of the piano bench.

There was a narrow compartment inside it.

And in the compartment, wrapped in blue cloth, a folded sheet of music.

"Marco found this after the investigators photographed the scene," Luca said. "They took it into evidence. He got permission to show me the photograph."

The title at the top was written by hand.

Lullaby for a Window Left Open.

Beneath the title were three words that made me forget the pain in my legs.

For Ruth's daughter.

Ruth Sullivan.

My mother.

Luca looked from the photograph to me.

"Emma," he said softly, "how did my mother know yours?"

I had spent eleven weeks asking myself that same question.

Now, with Maria's handwriting staring back at me, I could no longer pretend it was a coincidence.

"I think," I whispered, "my mother was the reason Maria started recording everything."

May you like

Outside the hospital window, the city shone as if nothing had changed.

But inside the room, the birthday was over, the wedding was in doubt, and my mother's name had finally returned to a story I had been told was finished.

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