Chapter 2 - THE ROOM WITH NO WINDOWS

At the hospital, they took my name before they took my bloody uniform.
A nurse with silver glasses asked for my date of birth, my emergency contact, and permission to photograph the injuries. I answered until the questions blurred. When she carefully cut the fabric from my shoulders, I stared at the ceiling tiles and counted them to keep from crying.
Twenty-four. One with a brown stain. Three that didn't match.
Outside the treatment room, a cart squeaked along the corridor. Someone laughed near the elevators. Ordinary lives continued while mine had somehow broken apart.
"Ruby?" the nurse asked. "I can stop for a minute."
"No," I whispered. "Please finish."
Dr. Park had followed the ambulance. She examined the cut, cleaned it, and arranged for closure. An emergency physician evaluated the injury and documented the bruising on my arms, where Serena had grabbed me. My back needed stitches. The medical team also checked that I hadn't lost a dangerous amount of blood. I was exhausted, sore, and afraid, but stable.
I kept asking for my phone.
When I finally reached my mother, her voice was thin with worry.
"Ruby, two police officers are outside our building. Your brother says something happened at work."
"I'm at the hospital. I got hurt, but they're taking care of me."
"Are you alone?"
I looked through the doorway. Agent Ward waited in the corridor with a paper cup of coffee he hadn't touched.
"No."
"Come home," she said. "I don't care about the money."
The words hurt in a different way. My mother had spent six months trying to make her medication stretch between paydays, cutting tablets only when her doctor said it was safe and skipping every unnecessary expense. I knew exactly what the money meant.
"I will," I promised. "As soon as they let me."
She started to cry quietly. I had no idea what to say, so I listened until we could both breathe again.
After the doctor finished, Ward asked whether I felt able to speak. He'd brought a woman with short dark hair and a calm expression: Special Agent Mara Keene, an investigator working with him on the Ortiz case. She showed me her identification, then asked permission to sit.
"We're not here to turn you into a suspect," Keene said. "You can stop whenever you need. Your medical care and safety come first."
I stared at my hands. They still shook.
"The document Serena gave me says I heard Mr. Caruso order a murder. I didn't."
"Tell us what you did hear," she said.
I described Victor Kane's laptop, the fragments of Enzo's voice, and the way the words had been replayed until they sounded like a single sentence. I told them about the wound and Serena's warning. Then I repeated the phrase that haunted me.
"Witness containment. That's what her schedule called it."
Keene's pen stopped moving. "You saw that phrase yourself?"
"Agent Ward showed me the page."
"Good. We'll preserve that distinction. You saw the room, the editing, and the assault. You learned about the schedule afterward. What you personally observed matters."
I nodded. The careful separation was unexpectedly reassuring. Serena had tried to write a story under my name. Keene wanted my actual words.
She asked about Victor. I remembered his thin fingers, the gray jacket he never took off, and a scar along his left eyebrow. I remembered the expensive watch that beeped quietly on the hour. Most of all, I remembered his expression when Serena talked about sending Enzo to prison: not triumph, but fear.
"He kept saying the original files would be traceable," I told her. "Serena said someone called Nolan would handle the invoice trail."
"Nolan Price?" Ward asked.
"He's our financial controller. He hasn't paid me in two months."
Keene wrote that down. "Has he withheld anyone else's wages?"
"I don't know. One of the gardeners mentioned a missing overtime payment. I thought it was a bank problem."
They exchanged a glance.
"Why do you ask?" I said.
Ward leaned forward. "Daniel Ortiz was investigating money intended for Caruso employees injured on the job. Some funds were routed through a vendor named Bell Tower Media. We haven't established exactly who authorized the transfers."
"Daniel was a driver," I said. "Why would he investigate accounts?"
"Because he found that a widow wasn't getting the payments she'd been promised," Keene said. "He was looking for the reason."
I remembered Daniel in the back courtyard, washing a black sedan in early spring. He'd always kept peppermints in his glove compartment for the staff members who got carsick. He was forty-six, kind-eyed, and laughed like a man who didn't care who heard him. The last time we spoke, he'd asked whether I'd had my wages straightened out. I told him I hadn't, and he looked troubled.
"He said something strange to me once," I murmured.
Keene waited.
"He said numbers could be as dangerous as guns in that house. I thought he was joking."
Neither agent smiled.
A knock came at the door. Enzo stood beyond it, accompanied by a woman in a charcoal suit. He looked tired, a little older than he had under the dinner chandeliers.
"This is Miriam Hale, my attorney," he said. "I won't come in unless you want me here."
The choice was so unfamiliar that I hesitated.
"You can," I said finally. "But only if you tell me what's happening at the house."
He remained standing while Miriam introduced herself. She explained that a court order would be needed for certain records, and that his staff had preserved cameras and devices under security supervision while investigators determined what they could lawfully obtain. Nobody had been allowed to delete the guest-suite security log.
"Serena?" I asked.
"Still being interviewed," Enzo said. "She's represented by counsel. The engagement is over."
Those four words landed heavily. I had never imagined hearing them, much less being in the room when he said them.
"She'll say I broke her life apart," I whispered.
"She made her own choices," he replied.
Miriam opened a slim folder. "Ruby, your delayed wages have been identified. The amounts will be paid through the regular payroll process with a documented correction. It is not conditional on any statement you give."
"How much?"
"The full wages and any legally owed amounts. We'll give you a written accounting."
I looked at Enzo. "Why didn't you know?"
His face tightened. "I accepted assurances instead of checking. I was wrong."
I wasn't ready to forgive him. Part of me was glad he hadn't asked.
A volunteer brought dinner: chicken soup, crackers, a fruit cup. I was hungry enough to feel faint, but couldn't make myself lift the spoon. Enzo noticed and moved back toward the door.
"I should let you rest."
"Wait," I said.
He turned.
"Daniel asked me something the week before he died. He said if someone handed me a blue folder, I should make sure it reached his wife. I never saw a blue folder."
Ward stood. "Are you certain of those words?"
"Yes. I asked why he couldn't give it to her himself. He said it would be safer if nobody knew who had it."
Keene's expression sharpened. "Daniel's wife is Maria Ortiz. Have you met her?"
"At his memorial. She wore a blue coat. His daughter held her hand the whole time."
The room went very quiet. Enzo stared at the empty chair beside my bed.
"I told Maria I'd find out what happened," he said. "Six months. I gave her that promise and six months of nothing."
"Maybe you were looking in the wrong place," I said.
He met my eyes. "Maybe I was."
Later that night, after Ward and Keene left, my brother Eli arrived with our neighbor. He was nineteen, lanky, and too young to have the worried lines already forming around his mouth. He sat beside my bed and tried to joke about my terrible hospital socks. When I didn't laugh, he stopped.
"Mom's scared," he said. "I'm scared, too."
"I know."
He took my uninjured hand. "We can work something out without that job. We always do."
I wanted to believe him. I wanted the future to be something we could decide rather than something Serena could threaten to take away.
My phone vibrated on the bedside table. An unknown number had sent a photograph.
At first I thought it was a picture of my mother. Then I recognized the orange awning above our apartment building and the dark front door. The photograph had been taken from across the street only minutes before.
Below it was one sentence:
THE BLUE FOLDER WILL GET EVERYONE YOU LOVE KILLED.
Eli saw my face. "Ruby?"
I showed him the screen. He reached for his own phone, ready to call the police, but another message arrived before he could move.
It was a photograph of Daniel Ortiz's old black sedan, parked inside a dim garage. The driver's door stood open. There was a strip of blue tape on the dashboard.
Underneath the image were five words.
ASK WHAT HAPPENED AT PIER NINETEEN.
I read them twice. Six months earlier, Daniel had died after an attack on a roadway outside the city. That was the story everyone knew.
But nobody had ever told me why his car had been at a pier.
May you like
I turned to Eli, my heart pounding.
"Call Agent Keene," I said. "Tell her we have something new."