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Chapter 2 - A HOUSE WITH NO WINDOWS

By morning, my back felt as if someone had stretched a rope beneath my skin and pulled it tight.

I slept badly in the small room I rented with my mother on the north side of Chicago. The clinic had sent me home with bandages, instructions, and a warning that a deeper injury was possible if I ignored the pain. My mother made tea and watched me struggle to sit at the kitchen table.

"You are not going back to that place today," she said.

"I wasn't planning to."

"You said that too quickly."

I showed her the doctor's instructions. She adjusted her reading glasses and frowned at the word assault in the visit summary.

"Emily."

I stared at my mug. "A guest pushed me. I told the doctor. Security has the footage."

"And you didn't tell me because you thought I'd worry."

"I didn't tell you because I was afraid we'd lose the rent money."

My mother pulled out the chair beside me. There were dark shadows beneath her eyes, and her hair was still thin from treatment. But her voice was firm.

"We can ask for help paying bills. We cannot buy you a new spine."

I almost smiled. She touched my undamaged shoulder.

"Did somebody believe you?"

"Yes."

"Good. Then let them help without asking you to be brave every single minute."

Around nine, Daniel called. He spoke more gently than I'd ever heard him speak at work.

"Mr. Moretti wants to know if he may visit. With your permission."

I looked around our tiny kitchen, at the chipped cupboard door and the stack of unopened utility bills. "Here?"

"He can meet elsewhere. You don't owe him your address."

That mattered. I asked him to come to the coffee shop on our corner, where the tables were crowded enough to feel safe and the windows looked onto the street.

Luca arrived in a dark wool coat without his usual entourage. He took off his gloves before sitting opposite me. I'd only known him as the man at the head of a dining table, a man whose silence could make twenty people stop talking. Across from him, with a paper coffee cup in his hands, he looked like someone who had not slept.

"How are you feeling?" he asked.

"Sore."

"I'm sorry."

I looked at him. "You weren't the one who pushed me."

"It happened in my home, under my protection. I didn't know what Richard was doing. I should have."

There was no dramatic promise to make everything disappear. He opened a folder and pushed a printed note across the table.

"Your medical care will be covered. Your pay continues while the doctor says you need rest. You can speak to the police or an attorney of your choosing. Daniel can help you preserve the footage, but he won't tell you what to say."

I read the note twice. "Am I still employed?"

"If you want to be. And if you don't, you won't lose wages already owed to you."

I realized my hands had stopped shaking.

"Claire called me last night," I said.

Luca looked up sharply. "Claire Dawson?"

I nodded and repeated what she'd said about the blue service door and the room with painted windows. I expected his expression to turn hard. Instead, he looked down at the photograph he had brought with him.

"My mother founded a legal clinic near the river," he said. "It had a blue door. They called it Harbor Lantern House. Clara volunteered there."

"What happened to it?"

"A fire, twelve years ago. The neighborhood was already being redeveloped. It closed afterward. Richard's construction company eventually purchased part of the block."

He slid the photograph toward me. It showed Clara beside him again. In the background stood a building with blue-painted double doors and a faded mural of a lantern.

"That's where the picture was taken," I said.

"Yes."

"Then why did your mother write the message on the back?"

"I don't know. She died four years ago. By then we'd stopped talking about Clara."

The sadness in his voice surprised me more than anger would have.

He told me the story in pieces. Clara had been a legal-aid researcher with a habit of taking on cases no one wanted. She had met Luca at a hospital fundraiser, argued with him over a proposed redevelopment plan, and somehow persuaded him to accompany her on a Saturday shift at the clinic. By the end of summer they were inseparable. His family hadn't approved. Richard claimed Clara was using him to gain access to business files.

"I didn't believe Richard at first," Luca said. "Then Clara missed our meeting. Her apartment was empty. Richard showed me a letter saying she'd taken money and left town."

"Did you see her handwriting?"

"I thought I did."

He spoke the last words slowly, as if they tasted bitter.

"Did you go looking?"

"I did. Not long enough."

The cafe around us seemed louder suddenly: spoons striking mugs, a child protesting his oatmeal, the espresso machine hissing. I couldn't imagine how a person carried twelve years of wrong information without it becoming part of their bones.

"You should find her," I said.

"I intend to. But not by putting you in danger again."

I took another sip of coffee. "I don't know how to disappear from this story. Claire called me, not you. And Richard knows where my mother lives."

Luca folded his hands. "Then we start by making certain he can't decide whether you get heard."

Daniel arrived with information from the property archives. Harbor Lantern House had officially closed after the fire. The blue-door building had been renovated into a storage facility, though municipal records listed several different owners over the years. Richard Bellini controlled one of the companies. A court filing from the year of the fire mentioned missing tenancy records and a settlement negotiated on behalf of residents.

"Can we see the settlement?" I asked.

"Parts are sealed," Daniel said. "Our lawyer is requesting the public material first."

"Why did you have to request it?"

"Because I don't want anyone breaking into a record room because they're certain they've found a shortcut," Luca replied, looking at the dressing visible beneath my collar.

I flushed. "The vase was different."

"It was," he agreed. "But there's no reason to pay for the truth with another injury."

Later that afternoon, Mrs. Carter came to my apartment with soup and the clean cardigan I'd left in the sitting room. She refused my attempt to return the expensive garment until it was washed. Then she sat with my mother and complained cheerfully about the Chicago wind.

When my mother went to rest, Mrs. Carter's expression changed.

"I knew Clara," she admitted.

"You did?"

"She used to arrive at the house with muddy shoes and ask Luca's mother whether the servants had pension plans. Sofia adored her."

"Did you think she ran away?"

Mrs. Carter stared into her soup. "I wanted to believe what they told us. Richard had documents. Luca was furious. Sofia fell ill that winter, and everybody grew tired of questions with no answers."

"Did Sofia ever say anything about a blue door?"

"Only once. A year before she died, she asked me whether the Lantern's old records had ever been returned. She was upset when I said I didn't know."

Mrs. Carter took out her phone. She had saved photographs from years of birthdays at the mansion. After several minutes she found one of Sofia beside Clara, both holding paper plates during a garden party. On the edge of the image stood a third woman in a blue scarf.

"Who's that?" I asked.

"Her name was Joanne Mercer. She worked in the city records office. Clara trusted her."

I leaned closer. The woman's face was partly turned from the camera, but her eyes were clear and direct.

"Could she still be in Chicago?"

"She retired. Moved to Wisconsin, I think."

I sent the name to Daniel. He promised to verify a contact through public records and leave the woman free to decide whether to speak.

That evening I received an unexpected voicemail from Vanessa. Her voice was smooth, almost warm.

"Emily, I know yesterday was upsetting. We all said things in anger. My father can be difficult, but there's no need for outsiders to get involved. I can arrange a very generous severance package if you'll agree the injury was accidental. Think about your mother's appointments."

I played it for my mother. Her mouth tightened.

"Save that," she said.

I did. I also forwarded it to the attorney Daniel had recommended, a woman named Priya Nair who made it clear during our first call that she represented me, not Luca.

"Don't answer the offer tonight," Priya advised. "Keep records of every message. You can decide whether to pursue an assault complaint without negotiating with the person who may have caused it."

After dinner, my mother and I watched a cooking show with the volume low. I tried to concentrate on a woman making lemon cake. Instead I kept seeing Clara's yellow raincoat, the blue door, and the words on the back of the photograph.

At ten fifteen Daniel called again.

"We found a recent address for Joanne Mercer," he said. "She agreed to speak to Mr. Moretti tomorrow. But she asked for you to be present, if your doctor permits it."

"Why me?"

"She said she read about the vase. She thinks the fact that you broke it matters."

I didn't understand. "It's an awful way to open an envelope."

"She said that too. Then she told me to ask whether the porcelain base had a second compartment."

My heart skipped.

"Did it?"

"We hadn't noticed one. The conservation specialist has been documenting the fragments. There's a small metal tube sealed inside the foot of the vase."

"What's in it?"

Daniel lowered his voice.

"We haven't opened it yet. Joanne says Sofia placed it there after the fire."

I stared at my mother's sleeping face across the room.

Twelve years earlier, someone had written a message on a photograph. Someone else had signed for a letter that never reached the person it was meant for. Now, inside the broken remains of a treasured vase, another message was waiting.

May you like

For the first time, I wondered whether Luca's mother had known that the truth would eventually need somewhere to hide.

And whether Richard Bellini had spent twelve years searching for it.

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