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Chapter 9

Nobody touched Luca.

Nobody spoke.

The fire crackled behind us.

Rain pressed against the lake-house windows.

I stared at the tattoos across Luca’s hands.

I had seen them every day for two years.

Black lines across his fingers.

A small compass near his thumb.

Roman numerals along the side of one hand.

A geometric pattern around his wrist.

I had never thought of them as anything except tattoos.

Now Nora’s message sat on my phone.

ASK HIM WHAT IS HIDDEN INSIDE HIS TATTOOS.

Luca looked down too.

His face had changed.

Vanessa noticed.

“You know something.”

“No.”

“Then why do you look like that?”

He flexed his right hand.

“The Roman numerals.”

“What about them?”

“I didn’t choose them.”

Silence.

I frowned.

“You didn’t choose your own tattoo?”

“The artist did.”

“That makes no sense.”

“I was nineteen.”

Vanessa stared.

“Your first tattoo.”

“Yes.”

“Who was the artist?”

Luca looked toward Matteo.

“Gianni Vale.”

Matteo went still.

“That name is not real.”

Luca’s eyes narrowed.

“You know him?”

“Michael used Vale identities for technicians.”

My stomach tightened.

“Was Gianni working for Michael?”

“Probably.”

Luca sat.

He turned his hand under the lamp.

The Roman numerals ran along the edge.

XII.

VII.

III.

XIX.

I read them aloud.

“Twelve. Seven. Three. Nineteen.”

Vanessa frowned.

“A date?”

“Could be.”

Luca shook his head.

“No date means anything to me.”

Matteo pulled out his phone.

“Could be coordinates. File groups. Cipher positions.”

Natalie looked at the geometric pattern around Luca’s wrist.

“Is that original?”

“Yes.”

“Show me.”

He held out his arm.

She studied it.

Her face changed.

“What?”

I asked.

“That pattern.”

“What about it?”

“I’ve seen it.”

“Where?”

“Michael’s office.”

Everyone froze.

Natalie continued.

“He used it on archive seals.”

Luca stared.

“So Michael had someone tattoo an archive code on me.”

Matteo nodded slowly.

“Without telling you.”

“Why?”

“Because skin is difficult to lose.”

Vanessa looked sick.

“He marked a child.”

“Nineteen isn’t a child.”

Luca’s voice was flat.

“But the first symbol may have been older.”

He looked at the compass.

“I had this at twelve.”

I stopped.

“You were tattooed at twelve?”

“No.”

He shook his head.

“It isn’t ink.”

He rubbed the small compass near his thumb.

“Scar.”

I leaned closer.

I had always assumed black pigment formed part of it.

But beneath the newer ink was a faint raised mark.

Four points.

A scar pattern.

“What happened?”

Luca’s eyes narrowed with memory.

“Hospital.”

“Appendicitis?”

“Yes.”

Paolo’s tape.

Age seven surgery had exposed his blood.

But this was age twelve.

“What hospital?”

“Private clinic in Connecticut.”

Vanessa whispered, “Bellini clinic?”

Luca looked at her.

“I don’t know.”

Matteo did.

“Michael funded one there.”

Of course.

Luca’s jaw tightened.

“He marked me.”

Natalie looked horrified.

“Maybe not physically for the archive. Maybe the scar was identification.”

“Same difference.”

“No.”

She leaned closer.

“The archive needs two chains.”

“Blood and tokens.”

“And possibly pattern authentication.”

Marco, who had driven up with the second security team, entered from the porch.

“We traced Nora’s text.”

Everyone turned.

“Where?”

“Manhattan.”

“Nora took Elena back to New York?”

“Maybe.”

“Exact location?”

“Signal bounced, but one tower near the old Bellini Group headquarters.”

Vanessa stood.

“That building is empty.”

“Since when?”

“Three years.”

Matteo shook his head.

“No Bellini building is ever empty.”

Luca looked at me.

“You stay with Natalie.”

“No.”

He stared.

“We are not arguing in front of everyone.”

“Then agree now.”

Vanessa almost laughed.

Luca did not.

“Rachel.”

“Nora contacted me.”

“Because she wants leverage.”

“Then I am already involved.”

“You just found your mother.”

“Yes.”

I looked at Natalie.

She understood.

“Go.”

I stared.

She nodded.

“I lost twenty-seven years because everyone kept deciding what danger you were allowed to understand.”

My throat tightened.

“I won’t do it too.”

Luca looked at her.

Then me.

He exhaled.

“Fine.”

Matteo smiled.

Luca glared.

“Do not enjoy this.”

“I’m enjoying it a little.”

We drove back to New York through the night.

Natalie stayed with Teresa.

Vanessa came.

Matteo too.

Marco coordinated security.

At 2:10 a.m., we stood across from the old Bellini headquarters.

Twelve stories.

Dark glass.

One illuminated floor.

Seven.

Matteo stared.

“Archive Seven.”

“What?”

Luca asked.

“That is what Michael called his identity division.”

Vanessa whispered, “I thought it was a storage company.”

“Everything was a storage company.”

We entered through the parking garage.

No guards.

That was never comforting anymore.

The elevator required a badge.

Vanessa still had an old one.

It worked.

Floor seven.

The doors opened onto a reception area covered in dust.

Except one path.

Fresh footprints.

A wheelchair track.

Elena.

I moved forward.

Luca stopped me with one hand.

“Behind me.”

I whispered, “You really love saying that.”

“It keeps failing.”

“Then why—”

“Hope.”

Despite everything, I almost smiled.

A voice came from the dark.

“You sound like Antonio.”

A woman stepped into the light.

Dark hair streaked silver.

Sharp eyes.

Nora.

Rebecca’s half sister.

Michael’s first daughter.

My half sister.

Technically.

Family had lost all normal meaning.

She held no weapon.

Marco still raised his.

Nora looked at me.

“You have Rebecca’s stubbornness.”

“You knew her.”

“She was my younger self.”

“What does that mean?”

“Michael gave me to her adoptive family under a new identity. They changed my first name to Rebecca. Later, when I ran, I returned to Nora.”

My stomach dropped.

“Wait.”

I stared.

“You are Rebecca.”

Silence.

My heart stopped.

“No.”

Nora’s face softened.

“Yes.”

“My Rebecca died.”

“No.”

“I went to her funeral.”

“Closed casket.”

I laughed in disbelief.

“Of course.”

Tears came immediately.

The woman who raised me.

Alive again.

Standing ten feet away.

“You left me too.”

Nora closed her eyes.

“Yes.”

“Why does everyone leave?”

Her face broke.

“I thought Michael found me.”

“So you faked your death.”

“Yes.”

“You let me bury you.”

“Yes.”

“Did Natalie know?”

“No.”

My hands shook.

“You don’t get to call yourself my mother.”

“I’m not trying to.”

“Good.”

She nodded.

“Good.”

The answer hurt because it respected me.

Luca stepped forward.

“Elena.”

Nora pointed down the hall.

“Alive.”

“Why take her?”

“To keep Michael from finishing what he started.”

“What did he start?”

She looked at his wrist.

“You.”

Luca’s face hardened.

“Explain.”

Nora walked to a steel door.

Pressed her hand to a scanner.

It opened.

Inside was a server room.

Old machines beside new ones.

A hospital bed sat in the corner.

Elena lay there awake.

Pale.

Bandaged.

She looked at Luca.

“You came.”

He ignored the emotional weight.

“What did Michael do to me?”

Elena’s face tightened.

Nora answered.

“He made you the archive’s living administrator.”

“What?”

“Not by consent.”

“I was a child.”

“Yes.”

“What does administrator mean?”

“Your biometric chain can authorize deletion.”

I felt cold.

“So Michael needs Luca to erase evidence.”

“Yes.”

“And me?”

Nora looked at me.

“You authorize release.”

Silence.

Matteo whispered, “That is why there are two children.”

Nora nodded.

“Michael designed balance into the system after people began betraying him.”

Luca stared.

“One child can destroy.”

“One can expose.”

“And both together?”

Nora looked at the server racks.

“Can transfer control.”

“To whom?”

“Anyone.”

Vanessa whispered, “Michael wants both tokens so he can regain control.”

“No.”

Nora shook her head.

“He already controls the archive.”

“Then what?”

“He wants Luca to destroy Nora’s file.”

I frowned.

“Why?”

“Because my file contains the original ledger.”

“What ledger?”

“The client ledger.”

Names.

People Michael helped disappear.

Criminals.

Witnesses.

Politicians.

Maybe worse.

Nora looked at Luca.

“And he wants Rachel to release one specific record.”

“Which?”

She turned to me.

“Gabriel Moretti.”

Luca stopped breathing.

“My father.”

“Yes.”

“You said Michael killed him.”

“He tried.”

Matteo stared.

“What?”

Nora walked to a terminal.

Typed.

A video opened.

Old.

Grainy.

A man with dark hair sat in a hospital room.

He looked like Luca.

Not exactly.

Enough.

The date was thirty-eight years ago.

Elena began crying.

“Gabriel.”

Luca stared at the screen.

His biological father.

Alive after the supposed car explosion.

Nora whispered:

“Michael did not kill Gabriel.”

“Then what happened?”

“He erased him.”

I felt cold.

New identity.

New documents.

New life.

Luca stepped closer to the screen.

“Where?”

Nora looked at him.

“Gabriel Moretti became George Marino.”

Nobody moved.

The gatehouse.

George.

The man tied in Warehouse Nine.

The man who had looked Luca in the face and said he was not his father.

Luca’s voice cracked.

“George is my father.”

Elena whispered:

“Yes.”

Every breath in the room stopped.

Then the server alarm began to ring.

Nora’s face changed.

“No.”

“What?”

“He’s inside the system.”

“Michael?”

“Yes.”

Red text filled every monitor.

ADMINISTRATOR DELETE REQUEST.

BIOMETRIC AUTHORIZATION PENDING.

Luca stared at his marked hand.

A second line appeared.

RELEASE AUTHORIZATION PENDING.

RACHEL MOORE REQUIRED.

Then the building lights shut off.

And Michael Bellini’s voice came through the speakers.

“Children.”

Luca’s face hardened.

“I’m not your child.”

Michael laughed.

“No.”

Then his voice turned toward me.

“But Rachel is.”

May you like

A pause.

“And if she wants Natalie to remain alive, she will place her hand on the scanner.”

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