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Chapter 6 - THE DAUGHTER OF THE HOUSE

The first person to tell me I no longer belonged in the servants' corridor was not Luca.

It was a young housekeeper named Tessa, who found me trying to carry my own bedding down to the laundry room with one crutch tucked under my arm.

“Emma, you're supposed to be resting.”

“It's one blanket.”

“It's also a stairway.” She took the bundle. “You've been teaching us that we don't have to let people hurt us to prove we're good workers. Try listening to yourself.”

I stood there, embarrassed and grateful, while she carried the blanket away. Being cared for was a skill I apparently needed to practice.

That morning, Naomi obtained emergency orders preserving records at the medical foundation and preventing disputed changes to the trust while the forgery allegations were investigated. The orders were not a verdict. Vanessa remained represented by counsel, and Dominic still denied wrongdoing. But the wedding could no longer function as a shortcut to control the money.

“I feel as if somebody has put a fence around a burning house,” Luca told Daniel during a meeting I attended at Rosa's request. “At least the fire can't spread.”

“Not without anyone noticing,” Naomi corrected. “Don't confuse a court order with a locked door. People can still try to violate it.”

Luca nodded. He was learning to appreciate words like might and allegedly, words his father had probably dismissed as weakness.

The Moretti family's history was scattered through a room beneath the study. It contained photographs, immigration papers, awards, shipping manifests, and records from the period when Antonio's legitimate companies had expanded. Rosa wanted us to search for Sofia's diaries, which she'd remembered after seeing the letters.

We worked with white gloves and numbered storage boxes under the supervision of an independent records specialist. I sat on a stool and sorted paper while Luca lifted heavy cartons. He offered to hire someone for my part, but I told him that reading dates was something I could do without putting weight on my leg.

Before we opened the diary, Rosa asked us to find a battered recipe tin on the bottom shelf. Inside were seed packets, a theater ticket, and a child's drawing of four stick figures standing under a yellow sun. The smallest figure wore a crown. Sofia had written LUCIANO'S KINGDOM along the bottom.

“I remember making that,” Luca said. “I insisted my father was the horse because I ran out of people.”

Rosa chuckled. “Antonio was furious about the tail.”

Luca traced the childish lines without touching the page. I saw him regain one happy memory that the investigation had nearly buried beneath suspicion. We photographed the drawing, replaced it carefully, and only then opened the journal.

In a brown leather notebook marked SOFIA — GARDEN, we found a list of rose varieties, recipes for lemon cake, and an entry written three months before her death.

Antonio says Elena is better off where she is. He says the Bellinis will kill Luciano if he brings her home. I used to believe him. Today I asked why a woman who is supposedly safe has to beg us to let her send birthday cards.

Luca touched the page. “She knew.”

I turned another leaf. The writing became unsteady.

Dominic says I should stop questioning family matters. He says the accounts are more important than feelings. I heard them arguing about a boat at the lake. If they have done something awful, the boy must not inherit the lie.

Farther on, a final entry said Sofia had arranged to speak to a journalist. There was no name, only an appointment at a downtown café she never reached. Rosa recalled that Sofia suffered a sudden cardiac event around that time. The medical records listed an existing heart condition and no evidence of violence, but the timing was troubling.

“Don't assume her death was arranged because it fits,” I said gently when Luca stared at the page.

“I know.” He shut the notebook. “But I want someone independent to review what happened.”

He sent the information to Naomi and asked her to determine whether surviving records could be examined appropriately. I could see how hard it was for him not to command an answer into existence.

Elena's own memories supplied part of the missing story. During a supervised meeting, she told Luca that Antonio had once brought Sofia to Saint Alder's in secret. Sofia had pressed a photograph of seven-year-old Luciano against the visiting-room glass.

“She said you liked thunderstorms because they gave her an excuse to make cocoa,” Elena remembered. “She told me you had lost your first tooth and wanted to save it for me, though you didn't know I was real.”

Luca looked stunned. “I remember that cocoa.”

“Sofia said she was going to explain everything before your next birthday.”

“She died before it.”

“Yes.” Elena reached for his hand. “I'm sorry.”

I watched him hold his birth mother's fingers and understood how much damage a false choice had done. He did not have to decide which woman had been his real mother. Both had loved him, and both had been prevented from telling him the whole truth.

That evening, Dominic appeared at the estate's front gate with a lawyer and a demand for access to the corporate archive. He was denied entry to the residential wing but permitted, under arrangements with the company's counsel, to retrieve certain personal effects from an office. Daniel supervised the visit.

I saw Dominic through the conservatory windows. He stood beside an old marble fountain, arguing into his phone. His reflection in the glass looked split in two.

“He believes he's entitled to everything his brother had,” Rosa said behind me.

“Why?”

“Antonio kept promising him a partnership that never became equal. Men like Dominic can turn being overlooked into a lifetime excuse.”

“But he still had choices.”

“That's what people hate hearing,” she said.

Later, Luca joined us with the notebook in his hand. “Daniel's team checked the lake-house boat registration. Dominic owned a white motorboat that was seen near the property the night Antonio died.”

“The police should have that,” I said.

“They will.” He sat on the edge of the fountain. “My father's death was called a robbery. I was away. Dominic handled every arrangement before I got home.”

Rosa folded her hands. “He told me Antonio had asked to meet a business associate after dinner.”

“Which associate?”

“He wouldn't give me a name.”

The garden lights flickered on. A wind lifted the dead leaves along the path. Somewhere beyond the wall, the traffic of Chicago continued as though the estate weren't full of ghosts.

Luca glanced at me. “I heard you told Tessa you'd like to go back to school.”

“She talks too much.”

“Only about good things.” He smiled slightly. “I wanted you to know the foundation the staff union uses has scholarship information. Mrs. Keene can give you the contact details if you want them. No obligations.”

“I'd like that.”

I thought of how Vanessa had used my mother's medication as a threat. Luca was offering information, not leverage. It mattered.

That night I found a note slipped beneath my guest-room door. It was written on plain paper in neat block letters.

YOU HELPED ROSA OPEN A DOOR. DON'T LET LUCA OPEN THE WRONG ONE.

My pulse quickened. I called Daniel rather than picking it up. He photographed the note where it lay and arranged for it to be collected. He checked the corridor cameras, but the angle outside my room had been obscured by a maintenance cart.

“Someone wants to frighten you,” he said. “They might also want you to think you know more than you do.”

I hugged my robe around me. “The greenhouse? The archive? Which door?”

“We won't guess. We'll review access logs and talk to the staff.”

Rosa called me from her apartment when she heard. She refused to believe I should be moved again without being asked. We decided I would stay in the hospital-linked guest apartment for a few days, where the entrances were controlled and my physical therapy appointments would be easier.

Before I left, Luca met me in the foyer. He carried my small suitcase himself, an absurd picture in the grand hall beneath Antonio's stern portrait.

“I'm sorry this keeps following you,” he said.

“I chose to speak,” I answered. “I didn't choose what people did with the truth.”

He paused, then nodded. “That's a distinction I'm trying to learn.”

As we approached the car, Daniel emerged from the security office with an urgent message. Investigators had located Sofia's proposed journalist. She was still alive and had kept a recorded voicemail from Sofia the night before she died.

The message was only forty seconds long.

Sofia's frightened voice said she'd seen Antonio arguing with Dominic beside the lake-house boat. Then came a second voice in the background, close to the telephone.

“Hang up, Sofia,” the man said. “You don't understand what you're threatening.”

The recording ended with a name spoken so clearly that even the years couldn't blur it.

“Adrian.”

May you like

Not Dominic.

Adrian Bellini had been inside the Moretti house the night Sofia tried to speak.

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