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Chapter 3 - THE WATER BENEATH THE VINES

Gabriel's father had left three instructions about the vineyard, and Gabriel remembered every word.

“Never sell the spring,” he told me as we drove through westbound traffic. “Keep the workers' cottages standing. And never sign anything after a family dinner.”

I looked over. “He really said that?”

“He had a sense of humor about contracts. Almost nothing else.”

The vineyard lay two hours outside Chicago, across rolling land that turned red and gold in October. I hadn't been invited to visit before. I'd only seen photographs: rows of vines stretching toward a tree line, a weathered farmhouse, and an old stone building that resembled a small chapel. Gabriel said the spring rose behind that building and fed the orchards and wells of a neighboring farming cooperative.

“Your father gave them access?” I asked.

“He promised it to their grandparents. I've kept the arrangement.”

“Is it written down?”

“There should be a deed covenant.” His jaw tightened. “Marcus handles those records.”

Marco was driving. Miriam sat up front with a stack of maps. Dr. Mercer had protested the trip but cleared me to travel with rest breaks, eye medication, and strict instructions not to lift anything. I wore a soft sweater over the dressings, and each bump in the road reminded me of the glass in the cellar.

“Why am I here?” I'd asked Gabriel before we left.

“Because your name is on a forged witness statement,” he'd answered. “Miriam thinks you may recognize the person who stole the documents from the cellar. But you can change your mind.”

I had almost stayed behind. Then I remembered the envelope at my father's apartment and imagined the stranger knocking again. Fear was already following me. At least on this trip I might learn why.

The vineyards appeared just as daylight broke through the clouds. At the gate, a wooden sign read VESCARI ESTATE, EST. 1949. It had been repainted by hand so many times the letters stood in shallow ridges.

A small woman in a red raincoat waited outside the farmhouse with an umbrella. Her name was Rosa Alvarez. She managed the vines and the accounts for the neighboring growers. When Gabriel stepped out, she hugged him before he could warn her about the mud.

“Your father would haunt you if you sold us out,” she said.

“I'm trying to stop exactly that.”

Her gaze moved to me, lingering on my bruised face. “And who's this?”

“Olivia Hayes,” I said. “I work at his house.”

Rosa looked from me to Gabriel, then back again. “You can come inside. Both of you look like you need food.”

The farmhouse kitchen smelled of cinnamon, bread, and old pine. A clock ticked above the stove. It was such a normal room that I nearly cried. Dr. Mercer had told me not to skip meals, and Rosa placed a bowl of soup in front of me as if she'd been expecting my hunger for years.

Gabriel spread the forged papers on the table. Rosa read slowly, tracing the easement line with one calloused finger.

“They're claiming the water corridor belongs to the redevelopment company,” she said. “That cuts across the lower cooperative field.”

“Is that bad?” I asked.

“Bad is when a tractor won't start.” She looked up. “This would mean six families might lose access to their wells during construction. Depending on the permits, they could lose their leases altogether.”

Miriam tapped a clause. “The wording also permits test drilling and subterranean utilities.”

“For what?”

“We don't know,” she said.

Rosa pulled a drawer open and brought out an old ledger bound in green cloth. In precise handwriting, Gabriel's father had recorded repairs, grape harvests, and money sent to the cooperative. The final pages contained water measurements taken each summer.

“Giovanni kept everything,” Rosa said. “He did not trust gentlemen in expensive shoes.”

Gabriel smiled faintly. “He had expensive shoes himself.”

“And look what good that did him.”

I turned pages. Most entries were ordinary. Then I found a note from the previous spring, just a few months before Giovanni's death from cancer: Surveyor says second watercourse runs beneath east ridge. Do not allow excavation until title question resolved.

“Title question?” I asked.

Rosa looked troubled. “He never explained. He kept the old surveys in the press house.”

The press house stood at the edge of the vines, stone walls darkened by rain. A disused grape press filled the center, its massive wooden wheel polished by decades of hands. Sunlight came through high dirty windows. The air smelled of dust, oak, and sour fruit.

Marco entered first and checked the building. Gabriel followed with Rosa and Miriam. I stayed near the door, feeling the cold settle through my sweater.

“The surveys used to be in that cabinet,” Rosa said, pointing to a tall pine cupboard.

It was empty except for scraps of tissue paper.

“Someone came before us,” Gabriel said.

Rosa's face tightened. “I found the outer lock broken on Monday. Thought the wind had damaged it.”

Marco took photographs. Miriam knelt to examine bits of torn folder on the floor. As she worked, a car engine started outside.

Marco looked through the window. “Unknown vehicle at the ridge.”

He radioed the security driver parked at the gate. No answer.

“Stay inside,” he told us.

The engine grew louder. Gravel crackled. A dark SUV rolled into view, stopped beside the press house, and remained there with its windows closed.

Gabriel took out his phone. “Call the county sheriff.”

I stood at the doorway, pulse roaring. The SUV's passenger door opened. A man in a charcoal jacket stepped out, carrying a camera with a long lens. He lifted it toward the farmhouse, not toward us, and snapped several pictures.

“Who is that?” Rosa whispered.

Marco's voice sharpened. “Back from the windows.”

The man returned to his vehicle and drove away. Only after the sheriff confirmed a patrol was en route did Marco let us step outside.

Rosa cursed under her breath. “They want the workers frightened before anybody sees a judge.”

I looked out at the cottages tucked near the orchard. Children's bicycles leaned against porch railings. Smoke rose from a chimney. If someone could make those families leave before Friday, paperwork might be the least of the damage.

Gabriel walked beside me along the press-house wall. “You didn't have to come.”

“I know. But somebody put my name on those papers. I want it off.”

He nodded. “I owe you that.”

“You don't owe me for telling the truth. You owe me for what happened at your house.”

He accepted the correction without protest. “You're right.”

Near the corner, I stopped. A narrow iron door had been set into the foundation, half-hidden by ivy.

“Does that go to the spring?” I asked.

“It used to lead to a pump room.” Gabriel pulled the ivy aside. “I haven't been down there in years.”

The padlock looked new. So did the shiny scratches around its mounting plate.

Rosa joined us. “That wasn't locked last month.”

Marco examined the door without forcing it. “We'll get permission to inspect it properly. No touching.”

There was a rectangular patch of fresh mud beneath the threshold. Pressed into it was a boot print with a deep triangular tread.

I knew that tread. Adrian had tracked the same pattern across the cellar steps before dinner. I'd cleaned up the dark marks because Bianca ordered me to.

“I can identify the boots,” I said, pointing. “At least the tread pattern. It matches Adrian's.”

Marco photographed the print from several angles. “We'll compare it. Don't call it proof until we do.”

Rosa glanced at me approvingly. “You notice things.”

“Cleaning means noticing what doesn't belong.”

On the return to the farmhouse, my phone rang. An unknown number.

I nearly ignored it. Gabriel glanced at the screen but said nothing. He let me make the decision.

I answered.

“Olivia Hayes?” a woman's voice asked.

“Yes.”

“My name is Celia Hart. I was the notary listed on the transfer documents. I need to speak to you before the hearing.”

My heart lurched. “How did you get my number?”

“It's on the false affidavit. I'm sorry.” A shaky breath. “I didn't stamp those papers. My seal was stolen. I've been trying to get someone to believe me.”

“Call the police,” I said.

“I tried. They told me to bring my records. But somebody has been following me.”

I looked toward Gabriel and repeated the conversation so he could hear.

Celia whispered, “There's one more thing. The man who signed as Mr. Vescari wasn't the only actor in that room.”

I gripped the phone. “What do you mean?”

“The witness in the maid's uniform. The woman who signed your name.”

I felt the vineyard sway beneath my feet.

“I wasn't there.”

“I know,” Celia said. “I saw her afterward in the parking garage. She had a terrible scar across her neck.”

Miriam leaned closer. “Ask where Celia is now.”

But the call had gone quiet. I could hear shoes striking pavement, then a sharp gasp.

A man said, very close to the phone, “You should have stayed out of this.”

The call ended.

For a few seconds, none of us moved. Then Gabriel called the sheriff's office and gave them Celia's name.

Beyond the orchard, wind bent the last red leaves on the trees. I had come looking for a missing survey and a forged signature. Instead, someone had told me a stranger had worn my uniform and borrowed my name.

May you like

The threat wasn't only to Gabriel's land.

It was to anyone who could still recognize the truth.

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